Architectura included Studio LOHO in its coverage of COLLECTIBLE 2026, positioning the studio within a strong Belgian presence at the Brussels fair. In that context, Studio LOHO was highlighted for its collaboration with Sharon Van Overmeiren, where clay becomes the site of exchange between sculptural experimentation and functional design.

The article described the work as a transformation of bathtubs and washbasins into monumental, tactile objects that balance use and autonomy. That reading aligns closely with how Studio LOHO approaches its practice. Every piece begins in the atelier as a physical, material process, and every finished object is intended to hold its place not just as equipment, but as atmosphere and form.

What makes this inclusion meaningful is the setting. Architectura framed COLLECTIBLE 2026 as a concentrated snapshot of contemporary design thinking in Brussels. To be part of that broader editorial picture is to be seen not only as a product brand, but as a studio contributing to the wider language of space, material culture and collectible design in Belgium.

For Studio LOHO, the collaboration with Sharon Van Overmeiren marks a clear step forward. LOHO Collabs opens the atelier to other artistic worlds while staying grounded in the same commitments that define the studio: clay, craftsmanship, sculptural clarity and objects built to last.