International design publication designboom featured Studio LOHO and Sharon Van Overmeiren for a collection of monolithic clay bathtubs created within LOHO Collabs. The article placed the work in a global design context, drawing attention to the sculptural force of clay, the physicality of hand-modelling and the way the pieces move between domestic use and autonomous artwork.

That framing is central to Studio LOHO. The studio's ceramic bathtubs and washbasins are never conceived as neutral products. They are built as spatial objects, shaped by hand in Bruges and defined by proportion, tactility and mass. In this first LOHO Collabs chapter, Sharon Van Overmeiren brings a fictional and symbolic layer into those forms through carved motifs, reliefs and surface interventions that remain fully integrated with the clay body.

The result is a series of objects that feel immediate and timeless at once. The silhouettes remain unmistakably LOHO, while the surfaces open into a richer visual language that invites slower looking. This is not ornament for ornament's sake. It is a way of deepening what ceramic design can hold: atmosphere, memory, function and imagination.

Being featured by designboom extends the reach of that conversation far beyond Belgium. It places Studio LOHO within a wider international discourse on collectible design, ceramic bathtubs and the growing desire for interiors shaped by material integrity rather than fast novelty.