Belgian newspaper La Libre frames COLLECTIBLE Brussels as a place where contemporary objects no longer settle for utility alone, but take on the status of works that carry emotion, narrative and presence — des objets qui palpitent. That broader editorial lens speaks directly to the territory Studio LOHO has been building for years through clay.

The studio's ceramic bathtubs and washbasins belong naturally in that conversation. They are functional, but never only functional. Their scale, mass and hand-modelled character give them a stronger role inside an interior — not background equipment, but central pieces that shape the atmosphere of a room.

In the context of collectible design, this matters. Studio LOHO does not pursue novelty for its own sake. The studio works slowly, materially and with a strong sense of permanence — qualities increasingly relevant within a field interested in singular objects, tactile surfaces and forms that retain value over time. The collaboration with Sharon Van Overmeiren deepens that relevance further, where art and use coexist without compromise.

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